Archive for the ‘Film’ Category

In this piece I was interested in mitigating the experience of 2 disparate video projections, one featuring dramatic imagery and one featuring more mundane or banal actions or scenes. These two videos are projected on the exterior of a space. A viewer sits in this space and vertical portions of each montage stream into the room and are projected on the interior walls. These narrow strips of light are not entirely readable; they are transformed into movement, color, and light. I want my viewer to reflect on the loss of meaning and discernment created by the simultaneity and fragmentation of these projections, potentially prompting reflection about contemporary culture. I also desire to create an aesthetic/formal experience for the viewer. rachelknoll.com Cast: Rachel Knoll Tags: installation , projections , projector , lights , stage , video projections , movement , transformation , imagery , mundane , abstract , experience , fragmentation , formal , aesthetic , reflection , documentation , mcad , minneapolis and light painting

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ruboutanimation.tumblr.com Cast: Dan Ruiz Tags: cinema 4d , after effects , warehouse , urban , derelict , rubble and dust

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Warehouse Controversy | Test

_grau is a personal reflection on memories coming up during a car accident, where past events emerge, fuse, erode and finally vanish ethereally … various real sources where distorted, filtered and fitted into a sculptural structure to create not a plain abstract, but a very private snapshot of a whole life within its last seconds … Media critic Matt Hanson, author of The End of Celluloid and founder of onedotzero festival says: “_grau appeals to me because it is organo-tech. it does not deliberately ape the abstract pioneers of abstract cinema, and it is worlds away from the motion graphic masturbation of many of those enamoured by digital animation. seidel’s work is impressionistic, melding biological and emotional currents. out of amorphous shapes we make out bones, heads, a hand. a spirit leaving the body. at least, this is what i sense out of the chaos of galactic reconfigurations, neurological connections, and biological forms. this is a powerful piece of digital animation precisely because it does not feel like such, it feels emotional, epic. and once you release the background to the animation–communicating a ‘coming to terms’ with the aftermath of a car accident–you realise why.” Robert Seidel | 10:01 minutes | Germany 2004 | 2minds.de Cast: Robert Seidel and film-m Tags: abstract , experimental film , animation , car accident , crash , tableaux vivants , 3d , xray , motion capture , 3d scan , virtual sculpture , grey , leibniz , film-m , drama , art , video art , media art , robert seidel and philipp hirsch

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_grau | 10:01 min | d 2004

By Mikael Colombu the-weeknd.com mikaelcolombu.com Cast: xoxxxoooxo Tags: the weeknd , the knowing , house of balloons , mikael colombu and xo

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The Weeknd – The Knowing (Official Video)

Broken hearts, handlebar moustaches, vagabond lice… Official HD Redux of the original Banana Ghost music video. —- “…an unconventional foray into hauntingly enchanted territories. The carnivalesque incantation is accompanied by a clip donning a Victorian Period-aesthetic, and it’s made complete with dandyish black and white characters that look cut out from a Lewis Carroll cautionary tale. Like a Carroll anecdote, too, the video’s line between fantasy and nightmare is effectively nonexistent.” – SPIN “Director Jeremy Mayhew’s cut-and-paste aesthetic and half-human/half-animal creatures give the video the feel of a black and white “Monty Python’s Flying Circus”, complete with multiple appearances from the “dying little bird” in the lyrics and a turtle/bird/knight playing a guitar solo on a bow and arrow.” – PITCHFORK —- Music by Man Man ManManBandBand.com Directed & Animated by Jeremy Mayhew OceanscapeArts.net Cast: Jeremy Mayhew Tags: Man Man , Banana Ghost , music video , experimental , moustaches , mustache , victorian , lithograph , fantasy , nightmare , vagabond , creatures , oceanscape arts , Jeremy Mayhew and animation

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Man Man, Banana Ghost – Redux

Google Street View stop motion animation short made as a personal project by director Tom Jenkins. Story: A lonely desk toy longs for escape from the dark confines of the office, so he takes a cross country road trip to the Pacific Coast in the only way he can – using a toy car and Google Maps Street View. All screen imagery was animated – there are no screen replacements. Produced, animated, filmed, lit, edited & graded by Tom Jenkins ( theoryfilms.co.uk / facebook.com/theoryfilms ). Shot using Canon 5d MkII, Dragonframe Stop Motion software and customised slider. Music by the wonderfull Cinematic Orchestra ( cinematicorchestra.com ) Cast: The Theory Tags: Google , street view , short film , canon 5d mkII , animation , stop motion , dragon stop motion , the theory , viral and dragonframe

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Address Is Approximate

Google weigert de populaire app MP3 Music Downloader Pro uit de Android Market te halen, claimt belangenbehartiger RIAA. Met de app kunnen gebruikers auteursrechtelijk beschermde muziek downloaden zonder te betalen.

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RIAA: Google weigert piraterij-app voor Android te verwijderen

As a public art, Dancing Fall is focused on combining natural object with artificial interactive object. People no longer watch the waterfall but they actively play it as a performer. The video beyond the stream abstractly represents the movement of water and the acting of the audience. Jae-suk Huh adopt the water that is the most unfriendly with electronic objects because, he wanted to make a harmony between unfamiliar artificial and natural things. The stream of water changes its shape according to the way the audience move the stream of rubber. Finally, they find the video beyond it and experience water performance. Hong-Ik Univ. Digital Media Design Graduate Exhibition.Seoul hongikdmd.com hjaesuk@gmail.com huhko.com Cast: JAESUK HUH Tags: interaction , media art , installation , arduino , huhko , jaesuk huh , waterfall , water interaction and public art

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Dancing Fall.2011