Directed by Spike Jonze and Simon Cahn Animated By Sylvain Derosne and Léonard Cohen Created by Olympia le Tan Stop motion 6min Spike Jonze: Mourir Auprès de Toi The Celebrated Filmmaker and Designer Olympia Le-Tan Co-create a Tale to Pierce the Heart Designer Olympia Le-Tan’s embroidered clutch-bags spring to life in director Spike Jonze’s tragicomic stop-motion animation Mourir Auprès de Toi (To Die By Your Side). On a shelf in famed Parisian bookstore Shakespeare and Company, the star-crossed love story of a klutzy skeleton and…. Interview of Spike Jonze at nowness.com Making of at: youtube.com/​watch?v=-wzi1brlc9U Awards: Best Narrative Short Dallas Videofest’ Selections . Sarajevo Film Festival. Bosnia. July. . Festival del Film Locarno. Italia. August. . Athen International Film Festival. Greece. September. . Saint-Petersburg International Short and Animated Film Festival . September. . Warsaw Film Festival. Poland. October. . Paris Short Films Festival «Courts Devant». France. October. . Festival de Gand. Belgium. October. . Sitges International Festival of Fantastic Films. Spain. October. . Montreal New Cinema Festival. Canada. October. . London BFI Film Festival. England. October. . Seoul Asiana Short Film Festival. South Corea. October. . Buenos Aeres International Festival of Independent Films. Argentina. April. Cast: Léonard Cohen Tags:

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Mourir Auprès de Toi (To Die by Your Side) by Spike Jonze

direction & design – Jens Blank cinematography – David Liddell sound design – Jussi Honka music – David Pringle additional animation – Bence Varga & Balogh Zsolt concept art, cast and behind the scenes here: animateme.me.uk/​blog/​?page_id=624 Cast: Jens Blank , rocket/science and Bence Varga Tags: animation , penguins , fox , live action , cgi , Jens , Blank , Jens Blank , Animateme , playful , tactile and funny

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Don’t swim after lunch

OPENEYE is an ambient media facade concept, based on a repetitive element for day and artificial light usage. In its basic construction the single element of the OPENEYE structure consists of a flexible frame, a wire rope hoist driven by an electric motor, four separately controllable light sources and an elastic, translucent fabric cover. Assembled to a structure, the form as well as the appearance features visual dynamization and interactive functionality of architecture by kinetic movement and animated illumination. In contrast to most currently existing media facades, the concept uses a reduced presentability of its visuals through low resolution, with the aim to create a medium “Piano” – a communication in a moderate, sensitive speed, away from specifically advertising contents. The creative key aspect of the OPENEYE´s lighting is to operate based on natural effects. It uses the biological and psychological effects of regulated illumination in terms of their positive, stimulating effect on the human organism, in order to improve well-being and quality of life. The variation of the elements aperture allows the regulation of the light incidence inside the room at day, as well as the play of light and shadow patterns. At darkness the structure additionally becomes versatile variable in its combination with artificial lighting, allowing different atmospheres, structures and motions of space. research project, 2011 concept & design by Florian Licht Cast: Florian Licht Tags: media facade , concept , ambient facade , kinetic installation , OPENEYE , kinetic media facade , daylight facade , Florian Licht , lichtundsoehne , installation , architecture , facade , design , research , dynamic , pattern and structure

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OPENEYE – media facade concept

Sou Fujimoto Architects was founded by Sou Fujimoto in 2000. Transcript: Sou Fujimoto: This is Tokyo nature and Tokyo architecture. Tokyo nature, Tokyo architecture and Tokyo sky. My practice is based in Tokyo and the staff is sixteen and ten more interns, so around thirty people are working in my office. I like to have a good collaboration with staff so the office is a good workshop to create new architecture. In the process of studying architecture, I discovered Japanese tradition is really important for me. Not just following Japanese culture but to find and discover something new. My principle of architecture is of course based on the simplicity of Japanese culture but at the same time I like to create something very complex. It’s kind of a good combination of nature and artificial things together because nature is really complex and artificial things are based on simplicity so I like to create something very complex in an artificial way. My site is in front of the architecture gallery. The theme is inside and outside and they are really exciting key words for me. I proposed a transparent tree shape but the tree is not a tree but a void of tree. A long time ago of course and in the future, a tree is one of the best expressions for people to create something. The concept is a very clear transparent tree shape and inside outside shape but how to realize is a very big problem because transparent tree shapes are very complex things. In the process of the realisation we changed the materials, the structures, with a combination of the triangular shape of the plexi-glass to make it more abstract, but at the same time, like a real tree. One of the most difficult things is to create this 3D model. Another thing is to assemble them together like a puzzle. It’s more and more like outside and inside are melting together. We cannot say which is outside and which is inside. We’ve got a nice combination of laser card, plexi glass combined by this handcraft method. It’s a really, really primitive, simple way to tie things. This space, this whole thing is kind of a huge power itself. We selected to make a good contrast with the rest of the space because most of the space is covered by stones, so we used more contemporary materials and more transparent things. It could be a good contrast, but I hope good harmony. Cast: Victoria and Albert Museum Tags: sou fujimoto , architecture and small spaces

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Inside/Outside Tree – Sou Fujimoto Architects, Tokyo, Japan

Lost my intervalometer, but decided to go ahead with the timelapse hand held and hand triggered. Entire timelapse was much longer, but thought I’d do a shorter one first. Canon 5DMII 24-70mm Shot, edited and music by Gautam Pandey Cast: Gautam Pandey Tags: timelapse , time , lapse , india , 5d , train , travel , railway and station

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TrainLapse

Cast: Diestro Tags:

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Koi – Lzf Lamps

Idea & Design – Carolin Rauen & Max Kuehne Direction – Max Kuehne Filming & Cutting – Zaky Ziegler Music – Rosie and me / Bonfires Special thanks to: Printarena – Eurodruck Iggesund Jeurink Stanzformtechnik Emag – Papierveredelung Very special thanks to… …Soraya Kuehne, my wonderful wife, for your patience. …Tim John for your feedback and your friendship. See more of paperlux.com If you would like an issue, but cannot find it in a store near you: stiebner.com/​controller.php?cmd=detail&isbn=97838307X0149&verlag=0&scroll=0&id=61 Cast: Paperlux Tags: Paperlux , Novum , Print , Design , Cover , Printarena , Iggesund , Invercote , Production and Die cut

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Novum 11/11 – Making Of Cover

Photos/Video by austinross.ca cayooshexpeditions.ca Song: Bungee Jump – Christopher Denny Cast: Austin Ross Tags: Paragliding , Pemberton , Austin Ross , Jim Orava , Koyot , Niviuk , Arcteryx and Cayoosh Expeditions

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Paragliding in Pemberton, BC