Posts Tagged ‘Media’

Rechtszaak om overname foto's van Twitter NU.nl Hij postte snel na de ramp een aantal foto's van de verwoestingen op Twitter . Die foto's werden opgepikt door AFP, dat ze verspreidde onder de aangesloten … Twitterfotograaf sleept persbureau voor de rechter Volkskrant alle 2 nieuwsartikelen

Art & viral media is de titel van Evan’s presentatie en daarmee de afsluiting van keynote speakers op the Next Web 2010. Hij voelt zich aangetrokken tot de open source culture en populaire (muziek)cultuur wat vaak leidt tot vrij toegankeli……

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Evan Roth, kunst, muziek en open source als inspiratie

Trouw Twitter wordt belangrijker voor opsporing dan tv Trouw Demonstranten vonden elkaar via Twitter en gaven ook beelden van het politieoptreden door via Twitter . Binnen twee of drie jaar zijn de zogeheten social … Identiteit aanrander bekend door inzet Twitter Blog.nl (Blog) Identiteit aanrander meisje Eindhoven bekend De Telegraaf Politie: 'social media' voor opsporing Omroep Brabant alle 15 nieuwsartikelen

Na een radiostilte van iets minder dan een jaar heeft planetbeing van het iPhone Dev Team een video geplaatst waarin Android werkend op de iPhone te zien is. Met het project bouwt planetbeing voort op zijn eerdere ontwikkeling van OpeniBoot voor de iPhone. In de geplaatste video is te zien dat Android via een dual-boot met iPhone OS op wordt gestart. De drivers lijken grotendeels aanwezig zijn; in de video wordt Android op de iPhone in ieder geval gebruikt om een Wi-Fi verbinding te maken, te browsen, muziek af te spelen en een binnenkomend Skype gesprek op te nemen. Voorlopig zijn alleen een image van een alpha-versie en de broncode te downloaden voor de originele iPhone, maar volgens planetbeing kan de code eenvoudig worden aangepast voor de iPhone 3G . Aangezien de iPhone 3GS van andere hardware gebruikt maakt, zal Android op dit toestel langer op zich laten wachten. (…) Lees de rest van dit bericht op iPhoneclub.nl : iPhone Dev Team toont Android werkend op de iPhone [jailbreak] 30 reacties | Stuur door via e-mail | Voeg toe aan del.icio.us | Technorati Links Tags: android , iPhone , iphone dev team , jailbreak , jailbreakme , planetbeing

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iPhone Dev Team toont Android werkend op de iPhone [jailbreak]

Directed by Matthew Ballen & Casey Donahue Written by Matthew Ballen Additional lyrics by Casey Donahue & Andrea Allen Music by Casey Donahue Produced by John Rosenblatt & Matthew Ballen Co-Producers: Andrea Allen, Brian Townes Edited by Matthew Ballen & Casey Donahue Additional Editing by H. Spencer Young CAST Gary: Casey Donahue Female Singer: Jordyn Brenner Mr. Williams: Will Nunziata Phil: Stuart Ginsberg Kirk: Brendan Banks Linda: Rose Surnow Cynthia: Andrea Allen Mom: Marcy Lovitch Additional Office Workers: Pat Ball Matthew Ballen Marina Cockenberg Jonathan Gass Julia Heffernan Anna Hiort Sam Morrill Joe Schmitt Kevin Sheurs Blake Whitman Director of Photography: John Rosenblatt, Don Downie Camera Operator/Sound: Scott Herriott AC/Grip: Evan Kay Art Director: Brian Townes Production Assistants: Pat Ball, Robert Ross Colorist: H. Spencer Young Post-Production Sound: Chad Birmingham Vocals: Casey Donahue Jordyn Brenner Pat Falco Bert Mayer Cora Meginsky James Melloni Final Cut Pro On-Line: H. Spencer Young Special Thanks: Vimeo, Rosey Media, Scott Herriott, Paul Hsu, C5, ScriptLaunch thecaseydonahue.com matthewballen.com roseymedia.com ©2010 Matthew Ballen & Casey Donahue Cast: Casey Donahue , Andrea Allen , Anna Hiort , Blake Whitman , Brendan H. Banks , John Rosenblatt , Julia Quinn , Kevin Sheurs , Matthew Ballen , Pat Ball , Stephen Niebauer and H. Spencer Young

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Satchel Full Of Leads

The latter half of the 20th century saw the built environment merged with media space, and architecture taking on new roles related to branding, image and consumerism. Augmented reality may recontextualise the functions of consumerism and architecture, and change in the way in which we operate within it. A film produced for my final year Masters in Architecture, part of a larger project about the social and architectural consequences of new media and augmented reality. Cast: Keiichi Matsuda

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Augmented (hyper)Reality: Domestic Robocop

Beau Fort 10 A Solo performance by Maren Strack and post theater [new york/berlin/tokyo] about Female Aviation Pioneers, Wind and Force As Maren Strack was storing props at her grandmother‘s farm she came across her grandfather‘s stamp album. It exclusively contained postage stamps with portraits of female pilots, among them one of the star flier Amelia Earhart. On it was the note „donated by Elly Beinhorn“*. Her grandmother explained that between 1910 and 1920 her great grandfather leased a portion of the estate lands out as an airfield because in early air travel it was necessary to have many posts for stopovers. The grandfather often helped with small repairs and swinging the propellers. Once he even flew with them. On the first side of the album Maren Strack discovered a dedication: „To my treasure from your lady flier – Elly“. *after Earharts disappearance in the South Sea, the German pilot financed a memorial stamp for her American counterpart. When the number 10 on the Beaufort scale is reached, the wind is called „strong storm“. It is a wind speed of about 100 kilometers per hour – a force that tears the string of a kite. And it is the speed of historic aircrafts when taking off. For many centuries the ancient dream of flying has been employed for public spectacles. From the Renaissance onwards flying experiments fused science and entertainment. Especially ballooning used to be a crowd pleaser – commissioned for celebrations of kings and emperors. From these early days on women played a special role in these aerial shows. Female singers would sing from balloons or girls would leap into the void with a parachute. The female pioneers of aviation in the early 20th century continued this tradition – in propeller machines. They became stars whose achievements were covered by various media. Flight shows attracted the masses. In a time, when only few people had ever been inside of an airplane, the sight of aircrafts was already a sensation – the more when women were controlling them. There were several female celebrity pilots who were matching up their male counterparts in both aviation success and popularity. Pilots were projection screens for the dream of flying – the overcoming of gravity, the elevation over the earth and every-day-life. These themes are the core of „Beau Fort 10’s“ narrative. Maren Strack and post theater have found various ways to translate achievements of aviation technology to performance techniques on stage. Strack performers inside of a huge balloon – where she interacts with her real and a projected shadow that shows her turning into a propeller machine. The performer then moves with long sleeve-jets in a circle, translating the idea of air compression. The central stage object is a wind machine. Strack carries it, drives with it, and eventually flies with it through the performance space. Various balloons and other objects are filled with the air blown by the wind- machine-propeller. „Beau Fort 10“ explains the ambivalent relationship between wind and flying. Moderate winds were the force that moved balloons – whereas the early propeller machines could only fly without any wind what so ever. The main storylines are the biographies of Amelia Earhart (*1897, disappeared 1937) and Elly Beinhorn (*1907), the former being the most legendary American woman-pilote, the latter her German counterpart. Both women share their fight against limiting gender roles, but their way of reflecting their fights could have not been more different. Both were performer of their aviation star-role and talked about their lives – in public events and numerous publications. This was partially a necessity to refinance their adventures and record-breaking flights. They ended up in a loop of living a life they described in their performances. Action and presentation caused each other. Flying became a means of transportation to present their work – flying – all over the world. „Beau Fort 10“ does not so much present the beauty of flying but the beauty of the dream of flying. The media art by Hiroko Tanahashi makes the live performer Maren Strack disappear and re-appear as a projected – flying – performer. Tanahashi’s video work blends live and pre-produced video projections and integrates three dimensional objects as projections screens. Maren Strack’s movements and dance are both live and on video. Often enough, different realities overlap. Is the video following the performer or the other way round? „Beau Fort 10“ concludes a trilogy on famous women and mobility which Maren Strack and post theater started in 2004. All parts of this trilogy are documentary performances that feature a special means of communication and the performance technique that is used to deal with these means. First Strack and post theater explored the whip, Calamity Jane and rail road building in „6 Feet Deeper“. Then they dealt in „Figure 8 Race“ with Clärenore Stinnes drive around the world – to which they used flags as central objects. In „Beau Fort 10“ they bring the series to an end in the sky. Performance / Choreography / Concept: Maren Strack Video / Installation / Concept: Hiroko Tanahashi (post theater) Dramaturgy / Co-Director / Concept: Max Schumacher (post theater) Voices: Ulrike Lau, Andreas Wald Sound Design: Max Bauer Costume Design: Mikyong Yeom, Sarah Pontius Cast: Media in Motion

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Beau Fort 10

Volkskrant OM zet aanhoudingen Trance Energy op Twitter De Telegraaf Via Twitter is live te volgen hoeveel aanhoudingen er bijvoorbeeld worden verricht en hoeveel drugs in beslag wordt genomen. Volgens het OM gaat het om een … Aanhoudingen Trance Energy komen op Twitter Volkskrant alle 4 nieuwsartikelen